Tag Archives: macon blair

I Don’t Feel At Home In This World Anymore (2017)

23 Feb

It’s a cruel, cruel world. Taking place in what could only be Trump’s America, I Don’t Feel At Home In This World Anymore details the day-to-day life of Ruth (Melanie Lynskey), a jaded medical assistant who seems disgusted by the self-centeredness of a universe where “everyone I see is an asshole.” Ruth lives at home; her only friend is Angie, a busy housewife who has no time to listen when she nearly has an emotional breakdown after becoming a crime victim. It’s enough to push Ruth over the edge and investigate the perpetrators on her own terms, enlisting the help of her violent, short-tempered neighbor Tony (Elijah Wood) who just also happens to be a skilled martial artist.

Macon Blair, a skilled actor making his directorial debut, tightly commands every moment of this pitch-black comedic thriller. The jokes are few and far between, but they are delivered in such sly fashion they have a big impact (the bar scene is awkward enough to rival any episode from The Office). Blair, who comes fresh off of acting in Jeremy Saulnier’s acclaimed indie thrillers Green Room and Blue Ruin, is obviously a big genre fan himself, and his script here takes from a variety of influences (Martin McDonagh and the Coen brothers come to mind) while still feeling fresh and original. Lynskey gives her career-best performance as someone who is constantly weighed by the anxieties of the modern world but still someone who wants to make the altruistic change she wishes she could see in other people.

The story gets bumpy at around the halfway mark, but the few narrative issues are easily put aside when the film dives headfirst into its white-knuckle, absolutely batshit-insane third act. Here Blair’s talent shines like a beacon and he creates enormous amounts of tension in an incredibly tight timeframe. Clocking in at just over 90 minutes, I Don’t Feel At Home In This World Anymore is a taut little thriller that leaves a bigger impression than it should.

Elijah Wood and Melanie Lynskey appear in I Don't Feel at Home in This World Anymore by Macon Blair, an official selection of the U.S. Dramatic Competition at the 2017 Sundance Film Festival. Courtesy of Sundance Institute | photo by Allyson Riggs.

Bottom Line: A genre-infused piece that shows Macon Blair’s inherent directorial sensibilities,  I Don’t Feel At Home In This World Anymore is a deliciously clever and innovative take on the vigilante revenge story. It’s also incredibly suspenseful and drop-dead hilarious. 

Rating: 8/10 

Film Recipe: Fargo + In Bruges + Straw Dogs + Gran Torino 

MOST ANTICIPATED FOR 2017

2 Jan

So he were are. 2016 is history and as we look back on the best films of the year, we can also look towards the future and what’s coming down the cinematic pipeline. Here are my top ten most anticipated films -(provided we make it far enough in the age of Trump to actually watch them).   You can check out last year’s most anticipated here.

 

10 – Molly’s Game 

What’s it about? A young skier who get’s her own FBI investigation after creating an international poker series.

Why is it on the list? Aaron Sorkin is stepping into the director’s seat here, adapting a memoir by Molly Bloom. One of the finest screenwriters of our time, I’m curious to how Sorkin does behind the camera. Jessica Chastain and Idris Elba costar.

Release date – Unknown 

 

 

 

9 – Annihilation  

What’s it about?  All we know at this stage is that the plot has something to do with a team of scientists heading into the jungle for a secretive experiment of some kind.

Why is it on the list? Because Ex Machina was one of the most wholly original and singular sci-fi films in recent memory and Alex Garland has teamed up again with Oscar Issac. Tessa Thompson, Jennifer Jason Leigh, and Natalie Portman round out a dream team of actors.

Release date – Unknown

 

8 – Wind River 

What’s it about? A Native American reservation becomes a murder scene which prompts an FBI investigation led by a veteran tracker.

Why is it on the list? Another accomplished screenwriter making a directorial debut. Taylor Sheridan‘s scripts for Sicario and Hell or High Water were both brilliant and I’m curios to see the acting duo of Elizabeth Olsen and Jeremy Renner in a non-superhero context.

Release date – Unknown for now, but I’m hoping to catch this at Sundance.

7 – The Bad Batch 

What’s it about? A blood soaked love story of sorts set in Texas. Also, cannibals.

Why is it on the list? I wasn’t the biggest fan of Ana Lily Amirpour’s Iranian-western-vampire coming of age story A Girl Walks Home Alone at Night, but I was intrigued enough to see she had major directing potential. This new effort seems to have a Tarantino-influenced vibe and features a slew of great character actors including Jim Carrey, Keanu Reeves, Giovani Ribisi, and Diego Luna.

Release date: Though it’s played a few festivals, a widespread release date is unknown.  

6 – I Don’t Feel at Home in This World Anymore 

What’s it about? A revenge thriller about a women tracking down the thieves who burglarized her house.

Why is it on the list? Fresh from his role in Jeremy Saulnier’s excellent, white-knuckler Green Room, actor Macon Blair takes a shot at directing his own original script. The premise sounds gleefully Coen-esc.

Release date: February 24 

5 – Mother  

What’s it about? “…a couple whose relationship is tested when uninvited guests arrive at their home…” – IMDB

Why is it on the list? Because it’s Darren Aronofsky’s first film since the interesting-but-ultimately sub-par Noah.  Jennifer Lawrence, Javier Bardem, Domhnall Gleeson, Michelle Pfeiffer and Ed Harris star.

Release date: Unknown 

4 – Dunkirk 

What’s it about?  “Allied soldiers from Belgium, the British Empire and France are surrounded by the German army and evacuated during a fierce battle in World War II” – IMDB

Why is it on the list? Christopher Nolan is one of the rare few directors who can effectively blend pedestrian blockbuster fare with an inspired artistic vision.  This has potential to be one of 2017’s biggest critical and commercial hits.

Release: July 21 

3 – Lemon  

What’s it about? A boy gets dumped by his blind girlfriend.

Why is it on the list? Though Lemon is her first feature, Janicza Bravo has one of the boldest directorial voices in indie film today mixing awkward sensibilities reminiscent of films like Napoleon Dynamite and the works of Todd Solondz and Wes Anderson. Check out her short Gregory Goes Boom!  (NSFW) which also stars Michael Cera and Brett Gelman to get a taste of what we might expect from Lemon.

Release date: Unknown 

2-  Blade Runner 2049 

What’s it about? A sequel to the 1982 Ridley Scott film Blade Runner. 

Why is it on this list? Though most modern sequels/reboots don’t hold a candle to their origins, the fact that this is being helmed by Denis Villeneuve (Prisoners, Arrival) and shot by cinematographer legend Roger Deakins (1984, No Country For Old Men, Skyfall, and so, soooo many more) might be reason enough to make an exception. The icing on the cake is a top-notch cast consisting of Harrison Ford, Ryan Gosling, Robyn Wright, Mckenzie Davis, Dave Bautista, Jared Leto and Barkhad Abdi.

Release date: Oct 6

1 – The Killing of a Sacred Deer

 

What’s it about? “A teenager’s attempts to bring a brilliant surgeon into his dysfunctional family takes an unexpected turn.” – IMDB

Why is it on the list? The Lobster was unexpectedly my favorite film of 2016 and, I’m itching to see what Yorgos Lanthimos is cooking up.

Release date – Unknown 

 

 

Blue Ruin (2014)

28 Apr

Not all revenge thrillers are created equal.  Some, like the recently released Blue Ruin, are told with enough knowledge and understanding of the genre so well, they are able to redefine it.

The film focuses on Dwight, a Beach-bum drifter who spends his days rummaging through trash and sleeping in his car. He soon realizes that the person responsible for murdering his parents will soon be released from jail, ensuring that Dwight must now kill or be killed. The film takes several dark turns along it’s path, with most of them putting our protagonist in terribly violent situations. There is an overarching sense of dread in the film, which is occasionally interrupted by short bits of well-executed humor. It’s bold, suspenseful filmmaking with rich and engaging characters and enough twists to make multiple viewings a necessity.  Simply put, Blue Ruin is easily one of the best films of its kind and will stand out among the genre for years to come.

 

 

 

Rating: 9/10 

Similar to: No Country for Old Men, Drive, Animal Kingdom