Tag Archives: Charlize Theron

Atomic Blonde (2017)

29 Jul

1989 Berlin. The wall is just a few days short of tumbling down and tensions between the East and the West halves of the city have never been higher. This is the setting we are placed in while being introduced to a British M16 spy Lorraine (Charlize Theron) who has been assigned to meet with David Percival (James McAvoy), a German operative who has sensitive information pertaining to both American, British, and Russian interests which could unravel an international conspiracy. The events of Atomic Blonde are mostly presented to us in flashback, as Lorraine is presenting her side of the story under interrogation by British and American authorities (Toby Jones, and John Goodman, respectively).  

What starts out as a simple spy thriller premise quickly unfolds into a stylish and sleek action film, filled to the brim with neon lights, martial arts, and shootouts. Unfortunately, much of the action comes at the expense of the characters, who come across as simple, two-dimensional cutouts from spy movie cliches.  The nonsensical story goes to great lengths to distract us from simple plot holes; what should have been fleshed out in the writer’s room gets covered up with the attention-grabbing, one-take fight scene or the frequent german rock song blasting out the speakers. Oh, and in case you forgot this was a German presentation, don’t worry – the film goes so far out of the way to remind us at every opportunity; most characters don’t go more than two minutes without saying the word “Berlin”. The film does have a few bright spots. Charlize Theron, our kick-ass heroine, absolutely devours every minute she is on screen. Her character delivers just enough deadpan humor to help carry us though the limp story. James McAvoy is also pretty good, doing his best Tyler Durden impersonation with a German twist.

Atomic Blonde aims to be a star-studded rock show, and in many aspects (especially on a visual level) it succeeds. But, without any substance behind what’s on screen you can’t help but think the director turned to an old trick stage producers will use when the band starts to suck: when in doubt – just turn up the volume and add some strobe lights.

Bottom Line: In a textbook example of style over substance, Atomic Blonde delivers a violent 120-minute music video at the expense of character, tension, or a sensible narrative.

Rating: 5/10

Film recipe: John Wick + Wanted + Salt 

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Mad Max: Fury Road (2015)

14 May

After a surprise premier at this year’s Cannes Film FestivalMad Max: Fury Road is poised to melt audience’s faces off this weekend.  Supposedly picking up things where the 1985 film Mad Max: Beyond Thunderdome left off, George Miller’s new installment in the franchise sees the titular character (this time played by Tom Hardy) facing off against more carnage, blood, guns, cars, and chaos. Max has just pissed off a local warlord/cult leader named Immortan Joe, and he is out for revenge. His escape through the Australian outback sees him cross paths with Furiosa, a dangerous and unpredictable rogue leader with her own agenda. The two form a makeshift team of sorts, and the pair must to to rely on each other in order to outwit Immortan Joe’s ever growing pursuit.

Essentially, this all boils down to one hell of a chase movie, filled to the brim with hyper-masculinized batshit crazy antics. Miller directs the action sequences flawlessly with a kinetic, constantly-moving energy, which adds a mesmerizing layer of visceral appeal to the whole thing. Fury Road is pure spectacle and looks great – even in 3D, where objects fly in and out of the frame without feeling too gimmicky or distracting. The level and precision of detail that went into this film is almost as crazy as the stunts; various tattoos, weapons, clothing, vehicles, makeup, etc. are all incredibly well-crafted and give the film a unique feel of time and place. Oscar nom for Best Production Design anyone?

Despite the film’s desire to be constantly churning on a violent machismo overdrive, Fury Road feels perplexingly feminist at times. Charlize Theron‘s portrayal of Furiosa easily makes her the coolest character in the film, and her determination to be both wickedly badass but still sensitive when needed overshadows Hardy’s quiet and one-dimensional performance as Max. And then there is a scene where an all-women militia take out a human trafficking gang. Girl power for the win.

Fury Road, like many other films of its genre, suffers a bit from lack of characterization, dialogue, and undervalued performances. The most we ever hear from Max is during the opening voice-over, where he sprawls on giving the necessary exposition to explain that this is a post-apocalyptic film where survival is valued and ethics and law are not. I wish we could have seen more of an explanation for his backstory, or more interactions with him and Furiosa – just something more to show that Max is indeed a person and not some lifeless prop.

Despite it’s few setbacks, Fury Road keeps the narrative tight and compelling, which compliments the unstoppable fluidity of the action. It’s a rich and immersive film, sure to impress those who can stomach it’s brutality, and a rare treat to see something so adrenaline-packed without compromising on story.

Bottom Line: Leaving me feeling like a child at the amusement park, Fury Road no doubt sets the bar high for what a summer action flick can and should aspire to.

 

Rating: 8/10

Film Recipe:  Snowpiercer (2014) + ( The Raid: Redemption x Fast And The Furious ) + Speed (the drug, not the film) 

10 MOST ANTICIPATED FILMS 2015

2 Jan

Goodbye 2014 and hello to 2015.

 

Another great cinematic year has come and gone, and 2014 was one for the record books (you can check out my top 25 films of the year here). While we wait to see what film gets the Best Picture Oscar and who gets snubbed come February 22, lets take a look at some upcoming projects for 2015.

 

10 – Z For Zachariah 

Who’s in it – Margot Robbie, Chris Pine, Chiwetel Ejiofor. Directed By Craig Zobel.

Why? Zobel’s Compliance was one of the best micro-budget thrillers I had seen in a long time.  It looks like he is upping the ante here with some major A-list talent.

Release Date – Unknown for now, but I’ll be catching this at Sundance in late Jan

9 – STAR WARS EPISODE 7 

Who’s in it – All the original stars (Carrie Fisher, Harrison Ford, Mark Hamill) along with an exciting batch of rising talent (Lupita Nyong’o, Adam Driver, Oscar Isaac, and John Boyega). Directed and written by JJ. Abrams.

Why? After the disappointing trilogy made up Episodes 1, 2 and 3, the pressure is on Abrams to revitalize the classic franchise and restore balance to the force (and our faith in big-budget franchises).  Besides, Hamill needs something to do with his career other than voice video games.

Release Date –  Dec 18 

 

8 – Black Mass 

Who’s in it – An ensemble cast of Johnny Depp, Juno Temple, Joel Edgerton, Benedict Cumberbatch, Peter Sarsgaard, Sienna Miller, and Kevin Bacon. Directed by Scott Cooper.

Why? After Cooper’s terrific but terribly underrated Out Of The Furnace, I’m extremely curious to see how he handles this FBI crime novel adaptation with such a talented cast.

Release Date – an Oscar friendly Sept 18 

7 – While We Are Young / Mistress America 

Who’s in it – Ben Stiller, Naomi Watts, Adam Driver / Greta Gerwig, Lola Kirk. Both films written and directed by Noah Baumbach.

Why? – Baumbach has two films in the pipeline for 2015, and they both look fantastic. While We Are Young received lots of praise after it’s premiere at the Toronto Film Festival last September, and Mistress America is slated for a Sundance Film Festival premiere.

Release Date – March 27 / no word yet on a theatrical release for Mistress America, but I’ll catch it at Sundance in late Jan.

 

6- Everest 

Who’s in it – Jake Gyllenhaal, Keira Knightley, Josh Brolin, Robin Wright. Directed by Baltisar Kormakur.

Why? – The story about a group of mountain climbers becoming trapped on the world’s tallest peak during a snowstorm has me all sorts of excited. Plus, Jake Gyllenhaal.

Release Date – Sept 18 

 

5 – The Martian 

Who’s in it – Matt Damon, Kristen Wiig, Jessica Chastain, Sean Bean, Jeff Daniels, Chiwetel Ejiofor, Kate Mara. Directed by Ridley Scott.

Why? – Besides the big-name cast and director, this adaptation about the colonization of mars could continue on the trail of smart Oscar-friendly sci-fi films like Gravity and Interstellar. Or it could be a total flop like The Counselor or Exodus: Gods and Kings.

Release Date – Nov 25

4 – The Revenant

Who’s in it – Leo Dicaprio, Tom Hardy. Directed by Alejandro Inarritu.

Why? Birdman showed that Inarritu could directed something in another genre besides the super-serious drama, and this western thriller will surely showcase the talent of two of today’s biggest actors.

Release Date –  Dec 25 

3 – The Hateful 8 

Who’s in it – Samuel Jackson (of course), Channing Tatum, Kurt Russell, Tim Roth, Zoe Bell, Bruce Dern. Directed by Quientin Tarintino.

Why? –  Besides being one of the most recognizable auteurs among non-cinephiles, Tarantino is one of those directors that just seems to get better with age. I’m curious to see how he tackles a more traditional western post-Django Unchained.

Release Date – Nov 13 

2  – Knight of Cups 

Who’s in it – Christian Bale, Natalie Portman, Antonio Banderas, Cate Blanchett. Directed by Terrence Malick.

Why? Terrence Malick’s epic made my list last year only to be shelved for a Berlin Film Festival premiere in 2015. A teaser trailer shows Malick’s typical visual style paired with an eccentric cast and wild party tone reminiscent of Spring Breakers. Hopefully, it will be worth the extra wait.

Release Date  – Unknown for now but likely to have an awards run Late October or November

 

1 – Silence 

Who’s in it – Adam Driver (again!!), Andrew Garfield, Liam Neeson. Directed by Martin Scorsese.

Why? – Scorsese’s adaptation of a Japanese novel about Christian priests enduring persecution overseas is sure to be one of his most personal and controversial films. And this is from the guy who directed Willem Dafoe as Jesus.

Release Date – Unknown, but likely sometime in November 

 

So there ya go. Good stuff on the horizon. What upcoming films are YOU most excited to see?