Tag Archives: Ari aster

Midsommar (2019)

10 Jul

There is a sinister characteristic that runs throughout Ari Aster’s work. The director of 2018’s landmark horrorshow Hereditary seems to embrace all things taboo and macabre.  His latest creation, Midsommar, is no different.

Mostly set in the Swedish countryside, the film follows a couple, Dani (Florence Pugh) and Christian (Jack Reynor) as they try and process Dani’s recent family trauma by attending a pagan summer solstice festival.  Strange occurrences start to make the two suspicious of the festival group, and the couple soon have to reckon with not only the problematic aspects of their own relationship, but also disturbing history and traditions of the reclusive commune.

Midsommar is not your typical horror movie; in fact, it might not even be one at all. Aster shuns most tropes of the genre here, opting instead for a disturbing, slow-burning psychodrama about a relationship in chaos. In Hereditary, Aster’s more conventional take, the long shots and empty atmospheric scenes lessened the overall impact of the film’s more truly shocking moments. Here, with Midsommar, this slow kind of editing plays up the film’s strengths, and deepens the emotional beats that detail the character’s headspace.

Horror fans should feel instantly at home with the texture and shape of Midsommar; Aster does enough to play the genre’s narrative notes in a way that still feels fresh and exciting. Ever the provocateur, there is a perverse sense of accomplishment that seems a part of Midsommar’s shell shock; Aster knows exactly what gets under the skin and delivers it to us tenfold. Part of the film’s ability to effect lies in it’s beautiful contrast between the ugly and the sublime elements of both the movie’s unique environment and the ritualistic traditions of the commune. The cinematography works wonders here, with a bright blue, green, and white palette coloring scenes so brightly lit you feel like squinting.

Most surprisingly, Midsommar is quite funny. Smart amounts of humor are dabbled in and out of the script which adds again to the film’s bold contrasting components and the audience’s eventual discomfort. This isn’t the campy, popcorn-munching stuff of Zombieland or Evil Dead fame; what’s most haunting here is that both the comedic and horror aspects feel so intimate and real. All performances are on point, but in particular Florence Pugh steals the show, giving an impressively grounded portrayal of someone in an extended state of crisis. Over the course of the movie, we explore the world of the Swedish commune through the POV of our star couple, sometimes separate, though more often than not from the perspective of Dani. We feel her psyche heat up into a frenzy, fueled by both her past trauma and her current relationship’s turmoil (and the occasional hallucinogen). As layer by layer of the festival gets exposed, the audience’s anticipation and dread gains more weight, building up finally to a fated but terrifying destination.

Bottom Line: While on paper, Midsommar seems like familiar territory, the stylish execution of the drama and weighted anticipation of mystery make for a singular moviegoing experience that is hard to shake. 

Rating: 7.6/10

Film recipe: The Wickerman (1973) + Magic Magic + Antichrist 

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Hereditary (2018)

9 Jun

Judging from the title alone, you wouldn’t think a movie called Hereditary would be the kind of thing to keep you wide awake at night thinking demons have run amok in your house. Though it was appropriately placed in the Midnight section for its premier at this year’s Sundance, the description in the film guide made it seem like a dysfunctional family indie drama in the same vein as something like The Squid and the Whale. That is not the case. Make no mistake, this film fits squarely in the horror realm – and just might be the most eerily effective one to come along in decades.

Hereditary‘s premise is simple enough: after the untimely death of her mother, Annie (Toni Collette) tries to mend the emotional gaps with her strained and distant family. Her husband Steve (Gabriel Byrne) though loving, is unsupportive and detached while her adolescent son Peter (Alex Wolff) tries to spend every waking moment partying with his friends and away from the family. Strangely, Annie gets closest with her daughter Charlie (Milly Shapiro) after the funeral, though she soon learns that Charlie may have inherited a few ghastly traits from her late grandmother. Annie’s journey in discovering her family history leads her to cross paths with a spiritualist (Ann Dowd) and a few other-worldly beings.

With a runtime of over 2 hours, Hereditary feels a bit weighty from the get go and takes its time getting to the spooks. Patience is rewarded big time during a shocking mid-point twist and things really get cranked up a notch during an emotionally brutal third act. There are moments of almost-unbearable tension in Hereditary; director Ari Aster and cinematographer Pawel Pogorzelski should get all the credit for their amazing work at commanding attention to various parts of the frame in the heat of the moment – even when it’s deeply troubling. Aster is particularly great at creating atmosphere and subverting audience expectations, even those who are well versed in the genre. It’s clear that the first-time director is familiar with great psychological storytellers like Kubrick, Hitchcock, and Polanski; comparisons to The Shining are not that far off.

Unfortunately, the highs of the film are diluted by it’s lengthy runtime that fails to justify itself. There are too many stretched out periods of little substance in the film that drain the terrifying power from it’s better moments (of which there are more than one) so that the real terror fails to be sustained from scene-to-scene. Trim off 10 or 15 minutes and you would have a bona fide horror masterpiece – instead we have some incredibly great scenes sandwiched by lots of filler.

Still, the peaks of Hereditary are just so damn high – usually without resorting to the cheap jump scares audiences have become accustomed to. The performances are all on-point and bring a sense of realism which grounds the superstitious subject matter of spirits and demons. Newcomer Milly Shapiro, in particular, is absolutely fantastic as Charlie and steals every scene she is in. This is a bold piece of cinema, one that boils with intensity and lingers in the subconscious long after the credits roll.

Bottom Line: Although the lengthy runtime tragically dampens the impact of its spookier scenes, Hereditary displays a chilling cinematic intensity and contains some of the boldest and (most importantly) scariest moments in contemporary horror.

Rating: 7.5/10

Film recipe: The Shining + Bug + Paranormal Activity