Disconnect (2012)

5 Jan

In a society growing more and more reliant on digital technology,  does such technology fundamentally the way in which we are communicating and connecting with one another? This is the questions Disconnect asks the audience, and through s series of interconnecting stories we see the multiple effects the digital age has created for its users.

Structurally similar to the 2006 Best Picture Award Winner Crash,  Disconnect strings together a series of characters and incidents surrounding the use and abuse of digital media. A lonely housewife flirts with an online stranger.. a highschool boy starts a fake Facebook profile as a joke… someone’s digital identity is stolen, someone’s daughter receives a sexually explicit text… you get the idea.  The film’s message is obvious right from the title screen.

What makes the film work is its use of editing back and forth between the stories to keep the film moving forward at a brisk pace.  Despite an overbearing amount of melodrama, the narrative is engaging, and the film paints an effective portrait of 21st-century life. Things get bugged down during the third act where a predictable finish is delivered to us in a painful slow-motion.  By this time, the audience is so numb from the film shouting in our faces about the evils of the digital world, this final sequence is simply an anti-climatic way of wrapping things up.

Directed by Oscar-nominee Henry-Alex Rubin, the film stars Jason Bateman, Hope Davis, Andrea Riseborough, Michael Nyqvist, Paula Patton, and Alexander Skarsgaard, who all give good-enough performances to make up for some of the less-than-enthusiastic child acting.

Rating: 7/10

Similar to: Crash, Babel, 21 Grams

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